Monday, 20 October 2014
Just happened on this Washington Post blog Drawing up the drawdown by Richard Johnson, a sketch artist who just got back from a stint embedded with US troops in Afghanistan. Forget the latest camera equipment and Pentagon reporting restrictions, all you need is a pencil, a piece of paper and a good eye. A stunning example of how less is more.
Labels: Don't mention the war
Saturday, 18 October 2014
This is the view when Our Man ventures from the bunker. It's his neighbour's house, perched precariously on the side of the same steep hill as Our Man's. There's something about how the houses in this neighbourhood are carved into postage-stamp, gravity-defying plots that just makes you want to fist pump in the air and proclaim your independence from all those pesky Laws of Nature and Common Sense and such that we hear are so important.
BTW, you may be wondering why Our Man has shut up about politics and become quite the boring non-satirical online recluse who is into watercolours (of all the semi-retired things forchristsakes). Or maybe you're not, but no matter, he'll tell you anyway. He's taking a leaf out of the Kate Bush PR handbook. That is, he's realised it's better to shut up until you have something worth saying. Our Man has nothing to say just right now, so he'll shut his cake hole. Radical, Our Man knows.
But he will return. Like Caesar or MacArthur. Or herpes.
Anyway, in the meantime, enjoy the (pretty?) pictures.
Wednesday, 1 October 2014
This latest effort at a water colour really doesn’t do justice to the subject matter, a subtly stunningly beautiful temple garden in Kamakura, but I learnt a bit about the dangers of mixing too many colours before they dried and trying to be too clever with what I had. Which brings Our Man to Hirohito. Unwilling sock puppet of the military (Japanese or American, both are strong candidates) or leading instigator of Japanese militarism? Our Man can’t separate all the hues of current and past bias but this chap in the NYT makes a reasonable summary of the arguments and an explanation for why Hirohito’s true colours still matter to Asia today.